Coheed & Cambria are… different, and not just because of the unique progressive rock stylings they’ve produced for the last decade. Their albums extend far beyond music itself, to outer space in fact – their sixth offering being no exception.
Like its predecessors, The Afterman: Ascension is a concept album, bringing to life another chapter of a science-fiction storyline, written by frontman Claudio Sanchez, known as The Amory Wars (which you can also check out in comic book form, full length novel and soon to be live action feature film, if you’re a Coheed super nerd).
The eclectic 9-track collection follows the journey of astronomer Sirius Armory, as he investigates an almighty energy source but loses sight of what was important along the way.
Alternative, grunge-ridden rock tracks are counteracted by slower, sensitive ballads, including title track and closer ‘Subtraction’. Offering a break from the metal-influenced anthems that comprise the majority of the album, these exceptional, delicate numbers are what make The Afterman: Ascension gel.
In true sci-fi style, robotic voices, video game techno sounds, and an intricate array of hand percussion take their place amongst the layered heavy guitar riffs and booming drums. There’s a diverse range therein of gnarled rock, softer psychedelic numbers, and the occasional catchy punk-pop tune, all typical of the distinct New York four-piece.
Released as part one of a double album, with volume two The Afterman: Descension set for release in February next year, we can expect more of Sanchez’s eccentric vocals (and stories) are headed our way soon. But for now, The Afterman: Ascension is sure to fill your progressive/metal/techno/punk/whatever-laced rock needs with conviction.
As a whole, the album doesn’t stun you with a wow factor quite the way you’d expect, but each song has its merits and contributes to the album as a whole.
