Mumford & Sons are on a major journey around Australia at present, dropping anchor at the Sydney Entertainment Centre this past Thursday.  Sailing with them on this adventure, and adding admirable support ,is the young New England folk wordsmith Willy Mason and the band that is fills a busload on their own, Edward Sharpe And The Magnetic Zeros.

Lead singer Alex Ebert displayed some joyous harmonies, musicianship, and whistling all while wandering into the crowd. “40 Day Dream”, “Let’s Get High” and “Home” were the highlights of a set that was short, sweet and played to a somewhat disengaged audience.

Then the Gentlemen Of The Road, Mumford & Sons, took to a darkened stage, backlit by large blue lights and the screams of the faithful they started with the English-styled folk of “Lover’s Eyes” from their most recent release Babel.

Their harmonies and playing were of the highest order and already Ben Lovett was showing off his high calibre keyboard skills during the first song. The sound was crystal clear while the hoots and holler from the packed venue were enthusiastic all night long.

Sigh No More and Babel were equally sampled during the 19 song set list. Seeing a new generation discover folk music, infused with indie sensibilities, was a joy to be a part of.

Part hymn, part anthem “I Will Wait” had the crowd joining in and screaming along with the chorus. “Little Lion Man” was an exuberant romp and the interplay between the guitar, banjo and keyboards along with the harmonies gave more of an insight into why this band is so popular. Words that talk about our journey through life enveloped in music that allows you to live, jump and sing. In simple terms, Mumford & Sons are like the Pogues….with much less whiskey.

Youthful exuberance and a main man who can command the spotlight as well as hand it over to his musical compadres throughout the night, displayed a band operating at the top of their game.

The encore consisted of a superb “Where Are You Now” (‘Australia’ yelled out one fan) and a cover of Fleetwood Mac’s “Chain”  where the cult of Edward Sharpe and his Magnetic Zeros played along one more time.

With that, the travelling road show called it a night and headed off to Dungog for more adventures. Mumford & Sons have created some fresh and interesting tracks on the well-worn road of folk/roots music over their two albums and their live show demonstrates self-confidence well beyond their years. This is why live music is still exciting and vital. Thank you Gentlemen!