Sam Yeldham’s, or as he’s better known, Guineafowl, first emerged in 2010 with his debut EP Hello Anxiety, a softly pattering slice of indie-pop. His follow-up release shows how Yeldham has progressed from his humble offering to a more extravagant, but still accessible affair.
The opening track ‘Little Death (Make It Rain) initially only incorporates the gentle nature of his voice and some dribbling piano, however this all changes as the track explodes into a glittering chorus that shimmers with genuine star-like quality.
Following on is the most powerful song on the EP, a bonafide radio hit if ever one existed, in the title track.
The eponymous track manages to pack in a chugging chorus, mesmerizing synth and some supreme guitar licks all into a relatively short song. A song that is so catchy is sure to create a deep impression in the listener’s memory.
Following on from the strong openers, the second half of the EP slides into a more introspective tone. ‘Heartbreak Highs’ has a quiet showmanship to itself, spiralling around with head-bopping energy, whilst closer ’16 Tones’ brings contemplation to the EP, reflective to the core as evidenced by itstrong-willed chorus.
Although not as immediately resonating as his debut EP, Guineafowl has managed to step outside of his established comfort zone with an EP that shakes off expectations. Stronger, tighter and with all songs containing an inherent catchiness, I Hope My City Loves Me Still answers its creator’s rhetorical question with a resounding yes.
