Wichita Recordings is a label synonymous with fantastic indie artists. So, before listening to Peggy Sue, there is some anticipation of greatness. Taking into account that their current label mates include Wild Flag, Waxahatchee, Fidlar – oh, and this little group called Bloc Party – the question is, does this album live up to the expectation? The answer: most definitely yes!
Despite the name, which might sound like a rockabilly band, Peggy Sue are not derivative at all. There may be some 50s and 60s pop influences, but rather than wear this on their collective sleeve, it is worked subtly into well-crafted indie gems that hint at folk leanings.
Each track is percussive, with twangy guitars and layers of vocals sitting at the fore. Think The Raveonettes jamming with Local Natives and Beach House.
Speaking of vocals, this album is very cleverly titled, because if one was to actually imagine how a Choir Of Echoes would sound, you’d have an idea of how these layered vox work – beautiful, often melancholy, and delving into the minor keys.
Bonus points must also be awarded for including songs about love AND heartbreak on the same album, which pretty much means the lyrics are relatable to just about everyone. Choir Of Echoes could be your loved-up album, or you break-up album.
Listen to ‘Longest Day Of The Year Blues’ from Choir Of Echoes here:
