As Spiritualized, Jason Pierce is perhaps the leading British purveyor of narcotic-washed space rock. Due in the country in a matter of weeks to headline an Australian tour for three special dates in Sydney, Melbourne, and Brisbane, Pierce may be less enthused about the very event that’s bringing him to Australian audiences, December’s Meredith Music Festival.

The Spiritualized frontman, who last visited our shores for two special performances of his landmark 1997 album Ladies And Gentlemen We Are Floating In Space at the Sydney Opera House, has revealed in a recent interview that he believes music festivals as “the death of art.”

In comments reminiscent of Jack White labelling music festivals “a necessary evil” earlier this year, Pierce spoke to Drowned In Sound about what he sees as the ‘straightening’ out of popular music events. When asked if he enjoyed playing the summer festival season, Pierce replied candidly, “I think festivals are the death of art, in a weird way. I know everyone has started thinking that’s the way you see bands now, but I’ve always said bands are the least important part of a festival.”“I felt more and more a part of the entertainment industry as it went on. And I’m not part of the entertainment industry. I’m an artist and I want to feel like an artist.”

Pierce also grumbled about how acts “get short time slots and no sound check” which means “everybody is compromised as a result,” then went on to say “Festivals are the death of [art]. And they’ve gotten straighter as the years have gone on too. They’re less about drugs and rock and roll now. They’re more about community.”

He also took the opportunity to criticise bands that glorify themselves over their festival attention. “[Some] bands in their wisdom still soak up the glory, like they’re worth THIS many people. Or worse, when you get those awful sing-a-longs, and a band’s ego kicks in when the crowd sing their words back,” says Pierce. “It’s as if they’re standing on stage thinking ‘this is what we’re worth’.”

Acknowledging the grind of the summer festival season, Pierce says: “I felt more and more a part of the entertainment industry as it went on. And I’m not part of the entertainment industry. I’m an artist and I want to feel like an artist. It’s important that I push where I want to go and the audience goes with that if they want to, or doesn’t if they don’t.”

He was more positive however, when asked if he was looking forward to his own headline shows, responding: “Yes, immensely, because it’s about what we do, about us making our own environment not trying to plug into someone else’s timeslot.” Admitting the power of crowd response, “there’s something about a communal sing-song that’s inherent in people. People love it.”“Festivals are the death of art. And they’ve gotten straighter as the years have gone on too. They’re less about drugs and rock and roll now. They’re more about community.”
In the same Drowned In Sound interview Pierce also spoke about developing ideas for his next album, the follow-up to this year’s Sweet Heart, Sweet Light, saying he’s been influenced by more improvisational performances. “I want to do something freer… I’m full of ideas at the moment.”

One such idea included teasing a possible collaboration with Thurston Moore, saying “if I wanted to do something that sounded like Thurston, and I’m not talking about Sonic Youth, I mean the freer stuff he does, I would go to him rather than finding a way there with my band… I haven’t really got a solid plan.”

Love Pierce Brothers?

Get the latest Pierce Brothers news, features, updates and giveaways straight to your inbox Learn more

Moore was recently in Australia for Melbourne Festival, including a short national tour playing his “freer stuff”, including Melbourne’s Hamer Hall, for which our Tone Deaf reviewer remarked: “Hats off to the Melbourne Festival for procuring the perfect artist in the perfect location.”

Spiritualized is also headed to Australia for Meredith this December, as well as a short Australian tour – let’s just hope he’s not too perturbed by the sense of community, and can take solace in earning one of those sing-a-longs.

Spiritualized Australian Tour 2012

Sunday 2nd December 2012: Sydney Opera House Concert Hall
Tickets from $49.00 from www.sydneyoperahouse.com or phone 9250 7777 (transaction fees apply).

Tuesday 4th December 2012: Brisbane, The Hi-Fi
Tickets $48.00 + bf from feelpresents.oztix.com.auwww.moshtix.com.au, phone 1300 THE HIFI or in person at all Moshtix & Oztix outlets.

Thursday 6th December 2012: Melbourne, The Hi-Fi
Tickets $50.00 + bf from from feelpresents.oztix.com.auwww.moshtix.com.au, phone 1300 THE HIFI or in person at all Moshtix & Oztix outlets.

Friday 7th December 2012: Meredith Music Festival
Tickets available now via ballot at mmf.com.au

Get unlimited access to the coverage that shapes our culture.
to Rolling Stone magazine
to Rolling Stone magazine