“The introspective feeling is usually an accident,” the singer goes on to admit. “I’m just trying to come up with cool rhymes.”

It has been said that one could listen to a melodic, catchy song like ‘Backwater’ and then listen to some of Meat Puppet’s earlier albums, and experience the feeling of hearing two completely different bands. Does Kirkwood concur with this assessment?

“It’s true”, he agrees. However, it seems that this was less a conscious decision to do with the writing of Too High To Die, and more an evolution guided by the band’s live performances.

“The live thing is much better and more diverse than the records in ways,” the frontman explains. “We never tried to make the shows sound like the records…we always thought it was boring and confining.”

Though Too High To Die is a record that flits between solid commercial offerings and some less cohesive tracks, the one consistent element is the consummate musicianship. Kirkwood’s guitar work in particular speaks of a musician in his prime; electrified album opener ‘Violet Eyes’ smolders fairly with Kirkwood’s frenetic notes, racing along in tandem with the drum beat.

“We’ve always been just plain old players at heart and it’s fun to see how much you can tear it up,” he responds modestly.

“My biggest influence on that song was probably the same old…Jimi, Jimmy, and dirt bikes.”

According to Kirkwood, Too High To Die was “written in about three months and recorded in three weeks”.

“It was recorded in Memphis in a studio that was once a cotton warehouse…on a bluff overlooking the Mississippi,” he explains.

“It was very rustic and had a cool old feel to it, as the building was well over 100 years old.”

“We played a lot of ping pong and slunk around Memphis after hours exploring and meeting people. We worked pretty hard on it and Memphis was a great place to unwind after work.”

“The introspective feeling is usually an accident…I’m just trying to come up with cool rhymes”

Songs like ‘Comin’ Down’ and ‘Station’ certainly echo the sense of fun that Kirkwood describes. There’s a light-hearted tone evident in the content and delivery of the lyrics, the buoyant basslines, and the whistled outro of ‘Station’. Does Kirkwood agree that there is an obvious humour to Too High To Die?

“I think there’s some funny stuff on that album…probably not intentionally funny but definitely intentionally throw-away,” he muses.

“All good music is serious, funny, and throw-away at the same time…after all, it’s just sounds and noises.”

This sense of irreverence apparently extends to the Too High To Die album cover, on which Kirkwood is photographed in a pink gingham dress. “The outfit on the cover was purchased at a thrift store in Phoenix…I was trying to look beautiful,” he deadpans.

Though when asked about the LP’s title and its jocular reference to The Ramones 1984 record Too Tough To Die, Kirkwood is less tongue-in-cheek.

“Holy shit! I didn’t know the Ramones had an album with that title…how embarrassing!” he exclaims.

“We were just trying to be silly and thought it sounded cool…I love the Ramones…always!”

A sense of humour is no doubt an indispensible trait for a group who have survived numerous break-ups, reformations, and lineup changes in the 20 years that have passed since Too High To Die.

With a current lineup consisting of the Kirkwood brothers, drummer Shandon Sahm, and Curt’s son Elmo often lending a hand on rhythm guitar, Meat Puppets are in Australia this month to play Melbourne’s Cherry Rock festival – and there’s good news for fans eager to hear Too High To Die in the flesh.

“We play a lot off that album,” the musician says. “I still love playing a lot of those songs…good songs are timeless.”

In terms of classics, Too High To Die is not a flawless album; the record suffers from a lack of consistency, and though it remains the group’s most commercially successful output, it is not exactly replete with radio-friendly offerings.

However, as Kirkwood correctly surmises, the good songs are indeed timeless, and Too High To Die’s legacy lives on in those tracks that have both cemented Meat Puppet’s longstanding reputation, and have served as inspiration for some of the most iconic bands of the 90s.

Meat Puppets 2014 Australian Tour

Saturday 24th May 2014 – HOBART, The Void – MONA<
TIX: www.mona.net.au

Tuesday 27th May 2014 – MELBOURNE, Ding Dong Lounge – VIC – JUST ADDED
Acoustic Set and Meet ‘n’ Greet, 7.30pm
TIX: $20 @ Door Only

Wednesday 28th May 2014 – MELBOURNE, Ding Dong Lounge – VIC – JUST ADDED
Full band set
TIX: www.oztix.com.au

Thursday 29th May 2014 – ADELAIDE, Fowlers Live – SA
TIX: www.nightmaremusic.com.au

Friday 30th May 2014 – BRISBANE, The Zoo – QLD
TIX: www.oztix.com.au

Monday 2nd June 2014 – PERTH, The Astor Theatre – WA
TIX: www.liveattheastor.com.au

Also headlining at

CherryRock 2014 Melbourne
Sunday 25 May – Cherry Bar, AC/DC Lane Melbourne
Tickets from: www.cherrybar.com.au

CherryRock 2014 Sydney
Saturday 31 May – The Factory Theatre
Tickets from www.factorytheatre.com.au