We can think of no better way to start this week’s mixtape than with what has to be one of the most exciting releases of the year in the form of a new Pixies single taken from their new EP. Continuing on, we’ve got a tune from Hebronix, the solo project from the frontman of Yuck, some local tracks from Jimmy Tait and Pascal Barbare, along with the new Deep Sea Arcade track, some dancier vibes from Subfocus and more!
Pixies – ‘Indie Cindy’
A pleasant little surprise for all Pixies fans when the band dropped a four-track EP this week, which was recorded in Wales and produced by old pal Gil Norton who worked on previous releases, ‘Indie Cindy’ sounding a little more Frank Black than it is Pixies, and perhaps that has something to do with Kim leaving the band… but either way it’s a choice tune with 90s sounding drums and guitar tones, but in a more laid back sense with slicker sounding vocals and production and what sounds like more heartfelt lyrics…
Hebronix – ‘Viral’
Hebronix, the new solo project from Yuck frontman Daniel Blumberg following his departure from the group, shows he’s outgrown his bandmates’ tilt to the golden age of guitar rock. ‘Viral’ is a clever tune that slowly unpacks its treasures in a surprise series of turns. Beginning as an indie-fied mood piece a la Yo La Tengo, it then masterfully morphs into a summer jam and then a strings-backed anthem. Well worth investigating.
Pascal Babare – ‘Heaven Clubs’
The story behind this Melbourne singer-songwriter’s sophomore release, Sorry, Morning is rather impressive. After garnering acclaim with his debut, Thunderclap Spring, in 2009 the follow-up was recorded whilst making his way through Japan and parts of Europe with the musician playing almost every instrument on the record. ‘Heaven Clubs’ isn’t too shabby either. The song is mellow, but has a warm sentiment and is only just a little reminiscent of Grizzly Bear’s debut, Horn Of Plenty. While you’re here you should also take some time to enjoy the equally as great ‘Nonna’ from Babare’s latest album.
SubFocus ft. Kele Okereke – ‘Turn It Around’
Coming from the producer’s second studio album, Torus, this Kele Orkereke starring track should adequately suffice the tastes of dance music fans. With a hefty drum and bass sound shrouding Orkereke’s vocals there’s little stopping this number from being eaten up by the masses when it comes time for its live airing.
Jimmy Tait – ‘All My Friends’
Jimmy Tait is the moniker of Sara Retallick, a Melbourne-based singer-songwriter who has leant her oozing vocals to the likes of Augie March’s Glenn Richards and Dead Can Dance’s Lisa Gerrard. Currently putting the finishing touches on her sophomore album due out later this month, Retallick’s latest offering is the drawling alt-acoustic ballad ‘All My Friends’. Her vocals are as haunting and captivating as ever, swaying in a beautiful melody over down-tempo acoustic instrumentals as they tell a poignant story of betrayal. Best listened to with a glass of whiskey.
Elizabeth Rose – ‘The Good Life’
‘The Good Life’ is the latest serving of glitter-flecked sounds from Sydney-sider Elizabeth Rose. It’s also the first preview sample of her upcoming EP, and an addictive one at that. An infectious slice of electropop, Rose’s sugary-sweet vocals deliver a catchy chorus over waves of throbbing beats and darting disco synths. It sees Rose building on the diverse pop sensibilities that first put her on the radar last year when she released her debut EP, Crystallize, though now the 22-year-old has spread her wings and seems braced for true lift off.
Deep Sea Arcade – ‘Black Cat’
The Sydney indie-rockers are back with yet another catchy as hell tune that will absolutely get stuck in your head. Having spent the last little while in the UK, the band’s new surroundings have clearly done the aesthetic of their music well. with the production shining. The boys will be hitting the road later this month in support of their new single, so be sure and check this baby out live.
McKisko– ‘Good Grief’
Haven’t heard of Mckisko yet? Don’t worry you will soon enough. The Brisbane singer’s angelic voice is enough to melt any music-over but when paired with the excellent songwriting and interesting percussive musicality of her tunes, it’s an overwhelming “aha!” musical moment. We just can’t wait ’til she blows up.
