Indie Indie Album of the Week: Fiona Apple, ‘Fetch The Bolt Cutters’ If anyone was going to make the coronavirus pandemic a little less awful, it was Fiona Apple. Fiona Apple’s fifth record, and first in eight...
Indie Indie Deep-dive analysis: Bob Dylan’s ‘Murder Most Foul’ An apocryphal jigsaw for the times or a Memento Mori for America under Trump?
Classic Rock Classic Rock Album of the Week: Sorry, ‘925’ When escapism through art is the only solace in our current volatile global climate, Sorry‘s debut album 925 is exactly the rabbit hole you want...
Classic Rock Classic Rock Album of the Week: Violent Soho, ‘Everything Is A-OK’ Violent Soho have brought the gig to our living rooms and made us forget about the impending doom around us for 34 glorious minutes.
Hip Hop Hip Hop Album of the Week: SUPEREGO’s EP ‘Nautilus’ WA hip-hop collective SUPEREGO have unleashed their sophomore EP, Nautilus into the world. Check out what Tone Deaf's writers think.
Pop Pop Album of the Week: Eliza & The Delusionals, ‘A State Of Living In An Objective Reality’ Eliza & The Delusionals are here to cure heartache and have you dancing in your kitchen self-isolation style with their new EP.
Indie Indie Album of the Week: Yumi Zouma, ‘Truth Or Consequences’ Yumi Zouma are now experts at hiding heartbreaking lyrics within delicious synth-pop, layered vibey disco beats and infectious choruses.
Emo Emo Live Review: The Menzingers bring the house down for one last party The Menzingers provided what any great punk show should, a much-needed release for many uncertain about what the future will hold.