“This doesn’t happen to people like me very often.” This is what the winner for Album of the Year at this weekend’s Grammys said in their acceptance speech. If you didn’t know the name of the winner and perused the list of nominees, who would you think had said that huge statement? Lizzo? Beyoncé? Bad Bunny? Harry Styles?!

It was the English popstar that unexpectedly triumphed on Sunday night and his acceptance speech, while pretty tame and innocuous on the surface, sparked enraged reactions online.

Many on social media pointed out that white, cisgender artists like the former One Direction star frequently do win such prized awards. Of the last 10 winners for Album of the Year at the Grammys, only two were people of colour; Beyoncé, thwarted by Styles on Sunday, infamously lost out to indie rock icon Beck in 2015 when many thought her self-titled album deserved to win that year.

As many noted, there were other historic – “this (GENUINELY) doesn’t happen to people like me very often” – choices up for Album of the Year in 2023: Beyoncé would have become the first black women since 1999 to win it, while Bad Bunny would have become the first ever Puerto Rican to triumph.

A lot of commentators cited Styles’ speech as an example of white privilege. And then the Brits, as they so often do, arrived out of nowhere.

“Attention Americans complaining about white male Harry Styles saying ‘this doesn’t happen to people like me often’. Wind your necks in – social inequalities are not same everywhere as in America. In the UK class is a massive barrier to success in creative fields,” wrote one Twitter user.

A lot of people from across the pond agreed with his view, suddenly hailing Styles as a figure of British working class excellence winning over American audiences.

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But the transatlantic divide is always murky, particularly when class is involved. Others were just as eager to point out that Styles was in fact not that working class at all, with his parents being a landlord and a banker. People even started to look into his background, claiming that the “middle class” town he grew up in, the tiny Holmes Chapel, was in the top 20 least deprived areas in the entire U.K..

In a way – “murky” really is the word – both things can be true: Harry Styles can be non-working class, even come from a background of recognised privilege, and he can also have not had intimate access to the channels into British media that the truly wealthy have (he got his first big break on a TV singing competition).

Who’d be a globally famous musician, huh? Beyoncé probably should have finally won Album of the Year for her marvellous Renaissance (this writer thought Kendrick Lamar‘s conflicted, chaotic, but masterful Mr. Morale & the Big Steppers deserved to win), but Styles can enjoy his moment for now, providing he doesn’t frequent Twitter much.

Just remember the audience next time – not every country is as obsessed with class mobility as the Brits, Harry.

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